What a Writing Break Really Gave Me

In June, I mentioned I was taking a break for the summer — a break from words, a pause in the rhythm of drafting, editing, and rewriting. I thought, perhaps naively, that absence might spark inspiration. That I’d return with fresh scenes and unexpected ideas tumbling out of me, and new wings as my character had promised.

What I Found Instead

But that’s not what happened. The break didn’t hand me inspiration tied up neatly with a bow. Instead, it gave me something less romantic but more essential: motivation. The pause made me realise this story matters to me, even on the days writing this book feels slow, messy, and endless.

I’m learning once more that writing isn’t always a rush of brilliance. It’s more often the steady returning to a project, a recommitment. And for me, this long-in-the-making novel feels a little like coming home to myself every time I sit down to work on it.

Facing the Noise

As I wrote in a recent newsletter, when I returned to rework the manuscript’s final chapters, I heard my inner critic — whose voice I know well — begin to shout. It was so loud that I had to put the manuscript aside and address it first. That self-doubt is part of my process, the salt in the stew, that not only adds flavour but keeps me grounded and humble. Perhaps, I need it just as much as I need the words themselves.

This book has become, in many ways, my most joyful and painful artwork to date. Through writing it, I’ve experienced both pain and healing—sometimes in the same sentence. And yet, even with the hard days, the quiet and slow progress or the messy rewrites, it still feels like home. Maybe because it’s the place where I’m most fully myself.

Streetart/Writing on the Wall in Lisbon, Portugal

More Than “Practice”

Writers are often told their first novel is just a “practice novel”. It’s something to learn on, but not to keep. I’ve never been able to accept this advice. While this book has given me invaluable lessons in the craft of novel writing, for me, this isn’t just practice. It’s a story that has insisted on being told, year after year. It’s the one that won’t leave me alone, and I most want to finish writing and let it grow its own wings. Because it feels like the story carries something essential, more so for me than anyone else.

Listening Past Doubt

That’s why the words I saw painted on a Lisbon wall, “Listen to your soul”, stayed with me. Because in the middle of doubt and noise, that’s what this novel keeps asking me to do. And maybe it’s what writing itself asks of all of us: to trust the story that won’t let us go, the one that leads us back to ourselves.

I’m learning to listen more closely to what my soul is saying beneath the noise of doubt. I’m also here to remind you that your story matters, because the truths that press on us to be told—the ones that refuse to leave us—are never “just practice.” They are the very stories that lead us home.

What about you? Amidst the world’s clamour, scepticism, and the ego’s defences, what are you truly listening to this season? Care to share a moment when you listened past your inner critic and found your way back home to yourself?

PS. In Lisbon, the views are breathtaking. Yet, the old, steep, and cobbled lanes will also leave you breathless. It’s street art that feels, to me, like the very soul of this city. Just look at that feature image! 🙂

When the Air Sings Back

In spring, the air receives birdsong as a promise of return. In autumn, the air answers back with rustling leaves, crisp winds, golden light, and the scent of ripened fruits. Migration doesn’t leave silence but a swelling reply from the earth, alive with harvest and change.

The days grow shorter, shadows lengthen, and the sky begins its slow shift. Celestial cues guide wings southward, just as they stir seeds in the soil to rest. Departure is not haste but rhythm — a call and response belonging to both bird and season.

days getting shorter
sun and stars celestial cues
a hush of leaving—
cranes stretch their wings to rise
where courage leans into light
the horizon opens wide

Preparation is everywhere. Cranes test their wings against thinning skies, their cries carrying both farewell and continuity. Fields echo with abundance — grain heavy on stalks, berries flushed and ripe, trees releasing fruit. The season offers its gifts even as it readies for rest.

To witness this is to know migration is not loss but exchange. Birds carry the memory of these skies, just as the air holds their voices long after they vanish. The horizon does not close with their leaving; it opens, reminding us that every departure is stitched with return.

When the air sings back, it’s not with sadness but fullness, an anthem of reciprocity — the earth keeping rhythm with wings.

Image of Redcurrant Bush

PS: Writing these impressions makes me realise migration happens with birds and writing, carrying our feelings through the mind, linking what we feel inside with the world outside. Autumn’s approaching migration influenced this piece, a contrast to Home Is A Moving Thing. Where spring sang of return, today I listen for the air’s reply in departure, and the lessons nature whispers in between.

In what ways are you adapting to the subtle seasonal transition and drawing strength from nature? As always, I love hearing from you.

PPS: Feature Photo by Jeffrey Hamilton on Unsplash

A Way of Looking at the Rain

They say rain isn’t universal—
No two cultures see it quite the same.
To one, it’s grace falling from the sky
coaxing green from brown, life from stillness.
To another, it’s a restless spirit
capable of washing away as much as it gives.
And to a few, it’s a sacred veil between two worlds
where the divine meets the living.
But it sure makes poets of us
if only for a moment
inviting us to feel—something, anything.
Rain can be a revelation
drenching us or dancing with us
as it slows down the world, so we might notice.
Still, beyond metaphors and symbolism
rain is just rain—
falling because the sky can’t hold it anymore.